翻訳と辞書
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・ Fétorané
・ Féy, Moselle
・ Fêche-l'Église
・ Fênix
・ Fênix 2005 Futebol Clube
・ Fête
・ Fête champêtre
・ Fête de l'Humanité
・ Fête de la Concorde
・ Fête de la Fédération
・ Fête de la Musique
・ Fête des belles eaux
・ Fête des Vignerons
・ Fête du Lac des Nations
・ Fête du Vodoun
Fête galante
・ Fête galante (disambiguation)
・ Fête Galante (opera)
・ Fêtes de Bayonne
・ Fêtes de Genève
・ Fëa and hröa
・ Fëanor
・ Fëmija i parë
・ Fíacha Sroiptine
・ Fíachna Lonn mac Cóelbad
・ Fíachu Findoilches
・ Fíachu Finnolach
・ Fíachu Fínscothach
・ Fíachu Labrainne
・ Fíachu Tolgrach


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Fête galante : ウィキペディア英語版
Fête galante

''Fête galante'' ((:fɛːt ɡalɑ̃t)) (courtship party) is a term referring to a category of painting specially created by the French Academy in 1717 to describe Antoine Watteau's (1684–1721) variations on the theme of the fête champêtre which featured figures in ball dress or masquerade costumes disporting themselves amorously in parkland settings. When Watteau applied to join the French academy in 1717, there was no suitable category for his works, so the academy simply created one rather than reject his application.〔Kleiner, Fred, S. (Ed.) (2011) ''Gardner's Art Through the Ages: A global history''. Enhanced 13th edn. Boston: Wadsworth, p. 755. ISBN 978-0-495-79986-3〕〔Clarke, M. & D. (2010) "fête galante" in ''The Concise Oxford Dictionary of Art Terms''. oxfordreference.com, Oxford University Press. Retrieved 8 November 2013.〕〔(Fête Galante ) ''Glossary'', National Gallery, 2013. Retrieved 8 November 2013.〕
==Creation by Watteau==
Watteau specifically created the ''fête galante'' painting style as a compromise between two drives. On the one hand, most of his funding came from private individuals, rather than from the government. On the other hand, Watteau wanted recognition from the government-appointed Académie des Beaux-Arts. The Académie ranked scenes of everyday life and portraits, the paintings most desired by private patrons, as lower than morally educational paintings illustrating history and mythology. By portraying his patrons in scenes reminiscent of the mythologized land of Arcadia, where humans had supposedly lived in leisurely harmony with nature, Watteau was able to get his paintings the highest ranking at the Académie and still flatter his buyers.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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